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Journée(s) d'étude

Comité d’organisation

• Violeta Nigro Giunta (PhD candidate, CRAL/EHESS)
• Nicolò Palazzetti (PhD candidate, CRAL/EHESS)
• Amparo Fontaine (PhD candidate, University of Cambridge)
• Vera Wolkowicz (PhD candidate, University of Cambridge)

Programme

Keynote speaker : Professeur Michael Bull (University of Sussex)
9h00 - Accueil des participants
9h15 - Introduction
9h45

Circulation et transfert culturel  / Circulation and cultural transfer

Modération : Amparo Fontaine

•  Hugo Perina (EHESS – Université de Bourgogne), "Echanges et mouvements autour de l’orgue médiéval italien"
•  José Manuel Izquierdo König (University of Cambridge), "Haydn in Translation: Assuming a Modern Musical Style in Early Nineteenth-Century Latin America"
•  Guido Raschieri (Università della Basilicata), "Les parcours musicaux de la Bosanka Posavina : une approche par l’ethnographie mobile"

11h15 - Pause café
11h30

Mobilités urbaines et paysages sonores au début du XXIe siècle / Soundscapes and Urban Mobilities in the Early Twenty-First Century

Modération : Nicolo Palazzetti

•  Elena Biserna (Locus Sonus – École Supérieure d’Art d’Aix-en-Provence), " “Pas à Pas.” Playing Urban Space through the Footstep"
• Paula Harper (Columbia University), “Bus Uncle” and the Mobilization of Sound, Music, and Urban Experience
•  Valerio Sannicandro (Technische Universität Berlin), "Ius Lucis (2006-2007). From Sound Movement to Audience Mobility: A Compositional View of Multiple Spaces"

13h00 - Déjeuner
14h15

Michael Bull (University of Sussex) : "Sonic Epistemologies of Urban Movements: From the Walkman to the Smart Phone"

Modération : Violeta Nigro Giunta
 
15h15 - Pause café
15h30

Identités en voyage: de l’enregistrement au déplacement / Traveling Identities: From Recording to Displacement

Modération : Vera Wolkowicz

• Elodie Amandine Roy (Glasgow School of Art), "Affective Mobilities: Recordings, Connectivity and the First World War"
  
•  Eva Moreda Rodriguez (University of Glasgow), "Questioning the Links between Music and Place: Early Recording Cultures in Spain"
  
•  Raquel Garcia-Tomas (Royal College of Music, London), "disPLACE. Gentrification in Twenty-First-Century Chamber Opera"
  

17h00
Notes conclusives