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Philip Bohlman à l'EHESS
EHESS, Salle 11
-
105, boulevard Raspail
- 75006 Paris
This topic comes from my research on Jewish music, and it concerns
Jewish film music from the eve of the Holocaust through World War II
until the early decade of the Cold War. In this paper I deal with a
great deal of politics and the sociology of music. It is largely
historical, though it benefits from my fieldwork and from my own
alternative career as a cabaret musician. The title for this
presentation is: "Jewish noir – Jewish Film Music between Utopia and
Dystopia.
Philip Bohlman, Department of Musicology,
University of Chicago
Jewish film music from the eve of the Holocaust through World War II
until the early decade of the Cold War. In this paper I deal with a
great deal of politics and the sociology of music. It is largely
historical, though it benefits from my fieldwork and from my own
alternative career as a cabaret musician. The title for this
presentation is: "Jewish noir – Jewish Film Music between Utopia and
Dystopia.
Philip Bohlman, Department of Musicology,
University of Chicago
Date
- le mardi 10 avril 2012 de 9h à 11h
Contact
-
Denis LABORDE (dlaborde@msh-paris.fr) CRIA
96, boulevard Raspail
75006 Paris